for baritone saxophone, soprano saxophone, sampler and modular synthesiser
2020
Composed for Accute duo (Bera Romairone & Sara Sazo)
premiered at Label Suisse 2020
for baritone saxophone, soprano saxophone, sampler and modular synthesiser
2020
Composed for Accute duo (Bera Romairone & Sara Sazo)
premiered at Label Suisse 2020
for Bass Clarinet and Double Bass
2011
In this piece each instrumental line functions as a membrane that work against the other. They create a gap in between them by friction, collision and mimesis. The material translates from one instrument to the other becoming something different each turn. At times crystallizing in a homogeneous sound.
Written for Eduardo Spinelli & Gustavo Aiziczon (suono mobile)
for two percussionists, amplified surface and objects
2013
The work recreates one of the human most common activities: Sitting at a table. It evokes the activities of artisans, artists, meetings, and loneliness. The exploratory character of the piece is expressed in simple actions to generate complex textures from the sounds that are ripped from the surface of raw wood. Through the amplification, the tactile experience of the musicians, expands into the space of the room.
Written for reConvert project
version 1 – 2013
for amplified Oboe, Clarinet Bb and Electronics
2014/15
Bismuto develops on the circular logic of the transmutation and synthesis of its sound materials. In a stable sound discourse, the timbres of the instruments merge with each other and with the track, resulting in meticulously elaborated textures. The sections follow each other organically due to the subtle articulations, which propose an arc of continuity where the dynamics vary delicately.
In the piece the sonorities melt and solidify as it happens with the metal that inspires its name. The iridescent colors of bismuth vary according to the moment of solidification and its degree of oxidation, as well as the textures of BI [bismuto] mutate into sonorities that melt and solidify into different strata, floating and melting into an electric magma.
Written for Eduardo Spinelli and Christian Kemper – suono mobile global
for Trombone, Objects and Electronic Percussion
2016
Written for Juna Winston & Joao Pacheco
for two saxophones and electronic intermissions
2018
Four ambiences projected from the shiny inside of the saxophone tube. A vague connection keeps them together between the sudden drops of mercury
Written for Patrick Stadler and Geoffrey Landman duo
audio coming soon…