for ensemble
2016

The piece proposes an integral sound construction, in which the particles contained have no manifest priority between them, but are presented to the listener as possibilities of linkage and meaning. In this sense, the concept of “synchronicity” according to C.G. Jung is implied throughout the work: the listener is interpellated to create a meaningful coincidence between the brief sound objects. The materials are associated in constellations according to the similarity between their morphological characteristics. These groups function as uniform organisms that provide coherence to the construction of the overall structure of the work.
Syncrofonita puts active listening into focus, in which the listener is responsible for generating form from synchronicity. In this context, proximity between the particles that collide in attractive and repulsive movements, show themselves as small fleeting configurations, like cropped from homogenic density of the texture.

Written for Ensemble Líquido, premiered at CCK Buenos Aires.