for Bass/Piccolo Flute – Soprano/Contrabass Clarinet, prepared Harp, Percussion + vst instruments and sample 2017
Based on Argentinian Alberto Laiseca’s short story Contemplación del Gran Madero, in which a general in the East learned to meditate by observing a small, wooden cube in a sand garden in his studio. Meditating, he imagined that his army came across a large structure of the same shape, wondering if it was natural or man-made, trying to understand what it could be.
For two performers, amplified objects, microscopes, electronics and video 2018
Amoeba is a throbbing texture, densely populated by communities of audiovisual microorganisms, that spread through the space of the venue. By walking through this structure the audience submerges in the “micro-dramaturgie” of ephemeral gestures that overlap, leak, repel, or merge into each other, forming altogether a thick, complex polyphony ever changing in the small details. Thus the attendants become “dynamic receptors” which modulate their individual experiences by collecting the details of the given totality. The piece is multimodal environment in which the audience, the space, images, electronic sounds and concrete materials were merged into a single unity. It is about the meticulous observation of simple movements, zooming into the complexities of a living organism.
site specific & concert version dur. 45′ Published on vinyl and digital by Total Silence Cologne
For Flute/picc, Clarinet Bb/Bass, Percussion + Sampler, Piano/Keyboard, E-guitar, Violin and Cello 2019
The ultimate distraction usually refers to the latest developments in gadgets whose function is passive entertainment and ephemeral durability. These accessories are governed by the transience of the market, which constantly replace or update them, rewarding their users with an experience of permanent distraction.
Commissioned by Centro de Experimentación del Teatro Colón. (Cetc) Written for Tropi Ensemble
For mixed voices, two flutes, electronics and video 2019
Visuals by Ramiro Iturrioz Texts by Bárbara Wapnarsky To be Premiered on October 8th 2019 Written for Nonsense Ensamble Vocal de Solistas, Dúo Mei Commissioned by Ciclo de Música Contemporánea – Teatro Nacional Cervantes
